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Bodies of Subversion: A Secret History of Women and Tattoo, Third Edition, by Margot Mifflin
Get Free Ebook Bodies of Subversion: A Secret History of Women and Tattoo, Third Edition, by Margot Mifflin
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Review
"The first conclusive study of women and tattoos Bodies Of Subversion: A Secret History Of Women And Tattoos by Margot Mifflin has been released, and it shows that love 'em or hate 'em tattoos are on the up."-Grazia (UK)"Margot Mifflin's newest edition of Bodies of Subversion: A Secret History of Women and Tattoo pasy rightful homage to the foremothers of tattoos and highlights modern goddesses."-Inked"Seeing all these tattooed ladies make us want to go out and get inked!"-Paper online
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About the Author
Margot Mifflin writes about women, art, and contemporary culture. She has written for The New York Times, ARTnews, Entertainment Weekly, The Believer, and Salon.com, and she lectures about body modification at colleges, museums, and universities nationally. Mifflin is an associate professor in the English Department of Lehman College of the City University of New York (CUNY), and directs the Arts and Culture program at CUNY's Graduate School of Journalism, where she also teaches. Her book, The Blue Tattoo: The Life of Olive Oatman was published by The University of Nebraska in 2009.
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Product details
Hardcover: 160 pages
Publisher: powerHouse Books; Revised edition (June 25, 2013)
Language: English
ISBN-10: 1576876667
ISBN-13: 978-1576876664
Product Dimensions:
8.3 x 0.8 x 10.3 inches
Shipping Weight: 2.1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
68 customer reviews
Amazon Best Sellers Rank:
#900,290 in Books (See Top 100 in Books)
Wow! This book is rock solid and there is not another book like it. It strikes the perfect balance between genuinely great photos of tattoos and historical shots of tattoo artists and models, (how rare is that? I've bought a lot of books with a disappointing few and blurry shots) WITH a scholarly eye for historical detail IN a very engaging very story-telling, (rather than history lecture) way.I don't know what anyone really interested in tattoo artistry could do without this. It's not just some waffly rah-rah 'ink chicks through history' throwaway. This really is an absolute essential for any tattoo history and historical seminal tattoo artist, OR even just 'what about all the Other tattoos, besides the noble and ubiquitous Sailor Jerry / Ed Hardy etc styles.I'm not sure which made my head explode more. The number of hardcore artists who's work we've seen and seen copied, but who (surprise!) happen to be women, the gorgeous illustrations showing what I would NEVER have seen or known otherwise- early (victorian / edwardian era early tattoos- which I had no clue existed beyond sailor and port shops) were actually EXTREMELY well done and extremely patriotic, elaborately well framed and shaded portraits, anatomically (think 'audubon' quality) butterflies, birds and wildlife, intricate costume like lacework ends to tattoo sleeves and leggings- tons of deeply thought out well-excecuted patriotic drawings- IN tattoo, or the clobberingly well researched and well documented history of tattoos and society- PRIOR to what I always thought WAS 'the dawn of tattoos in the US- that 30's-50's era sailor and hotrodder artwork. Yes it's great and I love it. But how many people know that beloved SJ and Ed Hardy etc, that was the SECOND wave and a whole SECOND style of tattoo? There was a world of talent and a whole society (even high 'society lady') tattoo well before the sailor and flapper era? I didn't. That makes this book invaluable for anyone, and not (not hardly) just for 'women tattoo artists' or 'women issue historians'.This is anyone's 'missing era of tattoo history, complete with great photos" essential. If you don't have the thousands of dollars for ALL the tattoo and tattoo history books you want, this is one that cannot go missing from your shelves. Margot Mifflin does a sh*t-ton of genuine scholarship on tattoos (women-centric but well beyond), includes tons of artistic as well as hard to find documentary photography, and has a real gift for accessible vivid but also accurate, narrative.If you think this is a great gift for the 'lady tattoo artist or follower' in your life, you're right. But you are only half-right. Because this is a really visually stunning (and so, well worth the $$ right there- a spot-on No Regrets purchase for anyone at all who 'likes tattoos' of any kind) but also a Must-to-Have for any tattoo style and or tattoo history collection.If this lands in every 'woman's art and social history' collection, great. But it would be a crime against history and against tattoo especially if this weren't a staple read and look - in every tattoo person's or even just art and culture history person's collection. And for under $20, compared to the honking high prices of tattoo books- this is a total value as well.
Margot Mifflin sublimates subversion in the subculture of tattoos by exploring the art through the lenses of the female embodied in the art, as the canvas, and the female who is the artist painting on said canvas, the tattooed. She records a vibrant history in Western, predominately American culture with a nod to the Victorian, society of circus ladies, side show girls, “the tattooed lady,†and how these “freaks†were the precursor to the current millennial cultures enrapturement with ornamentation as a way to fit into a subculture that has only recently become more mainstream and accepted.Mifflin takes a great deal of effort to showcase the history of the tattoo and the tattooed as it is reflected in feminine society. Where women may have first been coerced by partners, husbands, boyfriends, many being wives of male tattoo artists, to get tattooed, they soon became a quiet underground culture of a new kind of femininity which in bold colors and designs became a way to lay claim to the body. She also, side by side, develops the history of the women tattoo artist, exploring racism, why are there so few African American tattoo artists, sexism, women’s bodies being used to sell products, or women tattoo artists being compelled to be sexier—which has never been an issue for the male tattoo artist, and ownership of creative control—who gets to tattoo and why.A mostly historic look at how tattoos and tattooing came to be an underground sup-culture of the perverse and the perverted, the book also has a fascinating underlying theme of women re-claiming their bodies after traumatic experiences—from sexual violation to covering up mastectomy scars—using tattoos as a creative expression of post traumatic growth and resiliency. As one of the few books on the history of tattoos in women’s history it is a read well worth undertaking for anyone interested in the culture of tattoos in Western society.
For someone like me, who knew nothing at all about tattoos beyond seeing them on other people, this is a great introduction. The book covers the history of tattooed women, gives personality sketches of various artists and collectors, and describes the ways women have struggled to join the profession and add their contributions. The book is a tribute to the women it covers without being preachy. The photos (some black-and-white, some in color) are lovely. I really enjoyed it, and it made me want to get a tattoo myself! What I came to appreciate later was how respectful the book is of the collectors and the art. I went online for more pictures of tattoos and information about the process. Site after site featured sad pictures of naked women folded up into submissive postures, with the tattoos so secondary that sometimes they were only partially visible and most of the time you couldn't make out the art at all. And this was on supposedly mainstream sites that advertised themselves as featuring art for women. It made me appreciate the book even more. I wish there would be a Volume II.
This book combines three of my favorite things in life: tattoos, history, and feminism. This is a fantastic, fascinating read. And the gorgeous pictures just make it that much better. I can't believe I waited so long to read this.As a heavily tattooed woman myself, it really made me appreciate the rich history of tattooed women, and the role it plays in why, where, & what we get tattooed. The concept of using it as a way to own my own body in the face of abuse & the litany of legislation written by old white evangelical men to tell me what I can & can't do with my body was something I had never actually consciously THOUGHT about, but it really struck home with me.This book made me even prouder to be a feminist, and a tattooed one at that. I bought a copy for my (female) tattooist as well. I hope she enjoys it as much as I did.
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